An adaptation of author Peter Brown’s hit books of the same name, Robot has already been drawing rave reviews and comparisons to the likes of The Iron Giant and Sanders own Dragon adventure, far from feint praise for a film in this genre that here manages to become an all-round package sure to inspire those youngsters that will flock to the story of lost robot Roz and her budding friendship with street-smart fox Fink and young gosling Brightbill, who she acts as a surrogate mother for but also a film that will resonate with older viewers who are sure to find much to enjoy from such a lovingly crafted film full of heart and soul.
Utilising the entirety of its quickfire 100 minute running time, Robot has very few lulls or downtime as Roz’s journey of discovery with new friends, as well as what it means to truly care and love outside of her designed confines takes us on a familiar theatrical ride but one that’s done with enough uniqueness and sense of its own identity that there’s never a worry that Robot is merely ticking boxes along its way to crafting a memorable outing that will have you cheering, laughing and more than likely crying throughout its course.
Standing out amongst everything here is Robot’s CG animation style that Sanders himself describes as “a Monet painting in a Miyazaki forest”, a style that creates more than its fair share of visually outstanding segments and when this lovingly crafted vibrancy comes together with thoughtful lead voice performers Lupita Nyong’o as the loveable Roz and Pedro Pascal as the initially detestable but eventually likable Fink and enhanced by Kris Bowers exemplary and soaring score, Robot comes together as a complete package in every department.
Narratively Robot undoubtedly takes few risks and many key happenings will be overtly predictable for any seasoned viewer but it would take a very jaded and cold cinematic soul to not find joy and comfort from a film so enjoyable as this, a fitting swansong to a wonderous period of DreamWorks products and a further reminder that the animation world is alive and well with many more notable stories yet to tell.
Final Say –
One of the years most pleasant surprises regardless of genre or design, The Wild Robot is a winning mix of heart, humour and imagination, gifting this familiar feeling tale with a sense of wonderment and adventure that should ensure its place amongst the years biggest audience hits.
4 feigned deaths out of 5
Jordan and Eddie (The Movie Guys)
